4th grade poem comparison structural element focus - By Heidi Weber
00:01 | So we're going to start working on this goal where | |
00:05 | we're looking at differences between poems in particular . Of | |
00:10 | course , we can recognize that poems use a different | |
00:14 | structure . We've learned that they're arranged in lines and | |
00:21 | stands us versus paragraphs and sentences . Now we're gonna | |
00:28 | look at some common structural elements of poems in particular | |
00:32 | , and how we can refer to these elements in | |
00:35 | a poem when we're talking about how they are different | |
00:39 | . So let's get started . So one of the | |
00:44 | first lessons that we did in our comprehension notebooks back | |
00:49 | in third grade was we worked with elements of poetry | |
00:53 | and I gave you some of these terms . We | |
00:56 | talked about different types of figurative language . I know | |
01:01 | that we thought about making images and what's great about | |
01:04 | poems is poems often do this for us . They | |
01:07 | invoke the sense of being able to actually feel like | |
01:13 | we're drawn in rhyme in this sound when we read | |
01:19 | a poem is also pretty important here . Now here's | |
01:24 | something that's interesting for you to take a look at | |
01:28 | . Some homes do have patterns , and we know | |
01:31 | that they rhyme . We have the idea of a | |
01:34 | couple . It were two rhyming lines are together , | |
01:39 | or even a triplet , where there might be three | |
01:41 | rhyming lines and a sequence . So one of the | |
01:44 | first things I wanna ask you to dio is Take | |
01:47 | a look at the two poems that I gave you | |
01:49 | . I gave you The Sentinel's creed , and then | |
01:57 | I also gave you the vigil . One of those | |
02:01 | two poems has rhyming couplets . Pause now and see | |
02:09 | if you can figure out which one has rhyming couplets | |
02:16 | . I also had to add this information into your | |
02:21 | notebook , um , personification , being a specific type | |
02:25 | of figurative language that's fun to work with . The | |
02:30 | idea of Asan it's and Constance are advanced concepts , | |
02:34 | and I'm not going to go into these , but | |
02:37 | it might be something fun for you to explore independently | |
02:41 | . We are , however , going to take a | |
02:43 | look at the idea of a rhythm when we get | |
02:45 | a pattern that's being creative . And one of these | |
02:50 | two homes in particular , has some strong and weak | |
02:54 | syllables in it . You've learned about Cilla vacation , | |
02:59 | and so we're going to take a look at which | |
03:02 | poem has rhythm to it . It's kind of like | |
03:06 | it has a beat . I believe I even talk | |
03:09 | to you about how I feel like I bounce when | |
03:12 | I read it Or say it This'll is gonna get | |
03:14 | us moving into an idea of metrical forms . Pause | |
03:20 | for a second to make sure you can identify which | |
03:22 | poem you think might have some rhythm . Now , | |
03:27 | these air some other elements that you can be aware | |
03:30 | of liberation and on , um on Apia , both | |
03:32 | being examples of different types of figurative language . We | |
03:36 | won't get into that with the poems Sentinels Creator Vigil | |
03:41 | . Um , we will perhaps look for a little | |
03:43 | bit of repetition and particularly as we think about the | |
03:48 | line breaks , um , one of the two poems | |
03:52 | is written in a structure that is very open . | |
03:58 | We call that free verse , that free verse firm | |
04:03 | that then has some interesting ways that groups of words | |
04:08 | or ideas air put together . So that's something also | |
04:12 | that we can explore now , looking at the two | |
04:17 | poems side by side , it is clear that the | |
04:20 | Sentinel's creed is our free verse poem , and it's | |
04:25 | very clear that the vigil is our poem arranged and | |
04:30 | clear , distinct wines and stanzas . But it is | |
04:33 | also the poem that has thes rhyming couplets . So | |
04:39 | those were two ways that we can compare these poems | |
04:43 | . We've already identified the idea of the my and | |
04:47 | the I here making this poem being set in a | |
04:54 | first person point of view interview and then over here | |
05:01 | in the vigil because we're referring to a he in | |
05:06 | hiss thing . We know that this one is written | |
05:08 | in a third person point of view . Those were | |
05:15 | some pretty easy comparisons that we can make just on | |
05:19 | the surface Now if we think about examining the elements | |
05:25 | in the poem those things that I just pointed out | |
05:28 | Yeah , we can also go back Thio , noting | |
05:31 | that , yes , we have one that's in free | |
05:33 | verse in stanzas . But here's where focus is going | |
05:36 | to go now . One of the poems in particular | |
05:39 | , has what we call meter . It's kind of | |
05:42 | like a measurement , and then it measures beats . | |
05:46 | I'm going to explain what that means . In order | |
05:51 | for us to consider the idea of meter , we | |
05:54 | have to look at the idea of syllabic ation or | |
05:59 | look at this syllables . So if I take a | |
06:02 | look at this first line , I have in measured | |
06:08 | steps he makes in rounds . I count 12345678 syllables | |
06:18 | . So his first line has eight syllables . But | |
06:20 | here's where the beat comes in . You notice how | |
06:23 | , when I say each word , or when I | |
06:26 | read each syllable , it's like I put a little | |
06:28 | more stressor , emphasis on it in measured steps he | |
06:35 | makes in rounds . So what I've done here is | |
06:39 | I've identified what we might call a stressed syllable or | |
06:44 | it is said with a little more emphasis . Now | |
06:48 | , if I take a look at thes pairs , | |
06:50 | I he have , ah stressed on stressed a stressed | |
06:54 | on stressed syllable , a stressed on stressed syllable and | |
06:58 | a stressed on stressed syllable . So each one of | |
07:02 | these is kind of like saying , Oh , here's | |
07:05 | a poetic foot . So how maney feet are in | |
07:10 | this first one , it has 4 ft or the | |
07:15 | meter in this case with the beats four beats , | |
07:21 | so we could say it has a tetra meter . | |
07:24 | Now keep in mind that this is an extremely advanced | |
07:28 | concept , but it's one that it's fun for us | |
07:31 | to explore . What we can do now is we | |
07:34 | can take a look at some of the other lines | |
07:37 | and see how they compare . So let's say that | |
07:41 | I look at the first line in the first stanza | |
07:44 | . Now I'm gonna come down to the first line | |
07:47 | in the second stanza , he Oops , he responds | |
07:56 | . Not to the viz whips . Missed one . | |
08:02 | This is tricky for me . To this it tors | |
08:05 | stare . So I have that pattern of that stressed | |
08:09 | and on stressed again . And this time , if | |
08:15 | I measure out thes poetic feet , what do I | |
08:19 | get ? I get 12345 And so this time I | |
08:25 | could say it's a pentameter . So just annoy idea | |
08:29 | for us to play with as we're looking at the | |
08:32 | idea of how many syllables and then how maney syllable | |
08:38 | pairs that we have . And so , for these | |
08:41 | pairs again , it's what we call an unstrap est | |
08:47 | and a stressed syllable . As you play with this | |
08:51 | idea , sometimes you might find that a stressed syllable | |
08:54 | comes first and then an unstrung est . So I | |
09:00 | challenge you now to take a look at some of | |
09:03 | the other lines in this poem and see if you | |
09:06 | can figure out perhaps what the meter might be . | |
09:12 | And so now here is the challenge I'm giving you | |
09:16 | in order to meet our goal of being able to | |
09:19 | compare the structure and the elements into different poems . | |
09:24 | I'd like you to compare these poems in at least | |
09:29 | three different ways using some of the information that I | |
09:33 | just gave you . You can compare the idea of | |
09:37 | how one has meter versus that free verse idea . | |
09:44 | You can compare the idea of their point of view | |
09:49 | . You can compare how they're arranged . You can | |
09:52 | look for figurative language . I'd like to see you | |
09:58 | make some notes on three ways that you can compare | |
10:03 | thes two poems using structural elements or some of the | |
10:14 | obvious differences . They're both poems , but they're both | |
10:20 | very different . |
DESCRIPTION:
Examining two poems
OVERVIEW:
4th grade poem comparison structural element focus is a free educational video by Heidi Weber.It helps students in grades 4 practice the following standards RL.4.5.
This page not only allows students and teachers view 4th grade poem comparison structural element focus but also find engaging Sample Questions, Apps, Pins, Worksheets, Books related to the following topics.
1. RL.4.5 : Explain major differences between poems, drama, and prose, and refer to the structural elements of poems (e.g., verse, rhythm, meter) and drama (e.g., casts of characters, setting descriptions, dialogue, stage directions) when writing or speaking about a text..