Phonetics 2 - Vowels: Crash Course Linguistics #9 - By CrashCourse
Transcript
00:0-1 | Hi , I'm taylor and welcome to crash course linguistics | |
00:02 | . In the last video we learned about the international | |
00:04 | phonetic alphabet and how we can represent every sound in | |
00:08 | human speech with exactly one symbol . We also learned | |
00:10 | about continents like uh so and know which are sounds | |
00:14 | that involve closing the vocal tract in some way . | |
00:17 | These sounds can be arranged into a chart based on | |
00:19 | whether they're voiced or voiceless in the manner and place | |
00:22 | of articulation . But there aren't any spoken language . | |
00:25 | Is that only have constants in this episode . We'll | |
00:28 | continue with phonetics looking at vowels and how they're represented | |
00:31 | in the I . P . A . Yeah . | |
00:37 | Mhm . Yeah . Yeah . We can think of | |
00:44 | vowels as the sounds that we can sing with our | |
00:46 | mouths open . Uh E . We can sing them | |
00:51 | this way because in phonetic terms vowels are made without | |
00:55 | closing the vocal tract just by subtly changing the shape | |
00:58 | of the tongue so that the air comes out differently | |
01:00 | . Instead . English has five vowel letters in the | |
01:03 | alphabet . Maybe six If we can't why ? But | |
01:05 | we have way more vowels sounds than that . Different | |
01:08 | varieties of English have between 12 and 21 vowel sounds | |
01:12 | . And if someone is speaking with a different accent | |
01:14 | than yours , you've probably heard it in the way | |
01:16 | they pronounce their vowels . Some varieties of English pronounced | |
01:19 | these two words the same and some pronounced them differently | |
01:23 | . We can hear 14 vowel sounds shared by most | |
01:25 | varieties of English . In this old tiny sentence . | |
01:28 | Who would know , aught of art must learn act | |
01:31 | and then take his ease . But five or six | |
01:34 | vowel letters and way more than five vowels sounds no | |
01:38 | matter what your accent that spells trouble . That's where | |
01:41 | the international phonetic alphabet comes in . So we can | |
01:44 | write all the vowels in any spoken language clearly and | |
01:48 | unambiguously . We can start by figuring out what vowel | |
01:51 | sounds we need to represent . To do this , | |
01:53 | we'll look at which parts of the mouth are involved | |
01:55 | in making bowels . In other words , we'll map | |
01:58 | out the vowel space . Let's make the sound E | |
02:01 | . Go ahead . Make it with me because it's | |
02:03 | going to be a lot easier for you to feel | |
02:05 | it inside your mouth than to see it inside mine | |
02:08 | . So let's start with E and gradually move all | |
02:10 | the way down to uh Yeah , we can slowly | |
02:15 | move from one vowel sound to another and there are | |
02:17 | no fixed lines between them . This is very different | |
02:20 | from what we saw for continents , with their distinct | |
02:23 | categories based on whether the lips touch each other or | |
02:25 | the tongue touches a point on the roof of the | |
02:27 | mouth and so on . Fouls aren't categorical like this | |
02:30 | . The gradual movement between them means that differences are | |
02:33 | gradient . So we need a different approach to describing | |
02:36 | valves . Take the sounds E . And uh . | |
02:39 | The difference between them is how open your mouth is | |
02:41 | and how close to your tongue is to the roof | |
02:43 | of your mouth . For the E . The tongue | |
02:45 | is very high close to the roof of the mouth | |
02:47 | and the jaw is more closed , while for ah | |
02:50 | the jaws open and the tongue is low in the | |
02:52 | I . P . A . We write E with | |
02:54 | this symbol and uh with this one because of where | |
02:57 | your tongue is when making them E . Is a | |
03:00 | high vowel . And uh is a low vowel linguists | |
03:02 | also sometimes called E . A close vowel and at | |
03:05 | an open vowel based on whether your jaw is more | |
03:08 | open or more clothes . High , close and low | |
03:11 | open . Mean the same thing . Let's try moving | |
03:13 | from at to something like a full open mouth . | |
03:16 | Doctor checking your tonsils , uh your tongue stays low | |
03:21 | but it moves further back in your mouth . E | |
03:24 | . And uh our front vowels and awe is a | |
03:27 | back vowel . We now have two features how high | |
03:30 | your tongue is and how far back your tongue is | |
03:32 | . We still don't have anything that's high and back | |
03:35 | . The sound . Who fits this description . Let's | |
03:38 | go from awe to oh something else happened on the | |
03:44 | way from A . To . And this one you | |
03:47 | can see on my face my lips became rounded as | |
03:50 | my tongue moved backward to make an we can also | |
03:52 | notice this by going from new to E . It's | |
03:55 | common in many of the world's languages , including english | |
03:58 | for the sounds of the front of the mouth like | |
04:00 | E . To be ungrounded and sound at the back | |
04:03 | of the mouth like ooh to be rounded . But | |
04:06 | that's not always the case . The sound is in | |
04:09 | the front of the mouth like E . But rounded | |
04:11 | . Like . Do you can move between E and | |
04:14 | by keeping your tongue and jaw still and just rounding | |
04:17 | and then rounding your lips E . This sound is | |
04:22 | found in the french word too as well as in | |
04:25 | german , Turkish and mandarin . There's also an ungrounded | |
04:28 | partner of our high backgrounded . Do A . This | |
04:32 | foul is found in Vietnamese , Tamil and an extremely | |
04:35 | California and pronunciation of Dude . We now have three | |
04:38 | features how high or low the tongue is , whether | |
04:41 | the tongue is back or front and whether the lips | |
04:44 | are round it . We can use these three features | |
04:46 | to fill in more vowels in the vowel space . | |
04:48 | For example , A is pronounced with the tongue midway | |
04:51 | between E and A . So that makes it mid | |
04:55 | front and ungrounded instead of high or low and O | |
04:58 | . Is pronounced midway between you and ah with the | |
05:02 | lips rounded , so it's a mid back rounded vowel | |
05:05 | . If we go right into the center of the | |
05:06 | vowel space , the valve that's neither high nor low | |
05:09 | , neither front nor back . We get the sound | |
05:12 | . Uh linguists are especially interested in the sound . | |
05:14 | So it has a special name , it's called joie | |
05:17 | and it's the most common values and to pronounce in | |
05:20 | english , it shows up in the unstructured parts of | |
05:22 | words like about potato and petition . So far , | |
05:26 | we've been talking about sounds like E . Or do | |
05:28 | where your tongue stays in the same position the whole | |
05:30 | time . But now let's try a sound like oy | |
05:34 | , let's make it really slowly . Oy . Your | |
05:37 | tongue starts in the position for the vowel O and | |
05:40 | ends in the position for the vowel E . So | |
05:43 | that's how we write it by combining two vowel symbols | |
05:45 | in a row . Two vowels said together like Oy | |
05:48 | is known as a diff don . The full I | |
05:50 | . Ph art doesn't typically list of things because you | |
05:53 | can make them out of any two vowels . Other | |
05:55 | common diff things in english include I . And how | |
05:59 | both of these start with the ah sound . But | |
06:01 | one goes forward towards E . I , and the | |
06:04 | other goes backwards towards you . But again , in | |
06:08 | principle we could go from any vowel to any other | |
06:11 | vowel . You can pause this video and try some | |
06:13 | other diff things yourself anyway , like our map of | |
06:15 | consonants last episode , a map of the vowel space | |
06:18 | is getting a bit cluttered . Instead of writing these | |
06:21 | on a picture of the mouth , we can make | |
06:22 | a drawing that represents the vowel space . Since our | |
06:25 | job moves like a hinge , we have more space | |
06:27 | at the front and top of the vowel space than | |
06:29 | at the back and bottom . So we represented by | |
06:32 | drawing the vowel space as a trapezoid . This is | |
06:35 | the vowel space . We can describe all possible vowels | |
06:38 | by focusing on the features of closed nous , front | |
06:41 | nous and rounding . Since it's hard to draw a | |
06:43 | diagram in three dimensions we represent rounding by listing the | |
06:46 | symbols in pairs where the ungrounded one is always first | |
06:49 | . Languages vary a lot in how many vowels they | |
06:52 | have . Let's turn the thought bubble into a vowel | |
06:55 | space and step in to look at the differences in | |
06:57 | val inventories across languages . English has a large number | |
07:00 | of vowels like we said before . The number and | |
07:03 | type varies a lot between varieties of english . Most | |
07:06 | varieties have at least 16 distinct vowel sounds , but | |
07:09 | some like Australian english can have around 20 . No | |
07:12 | wonder we need so many symbols in the ipod . | |
07:14 | Because vowels exist in an open space , it gives | |
07:17 | them more freedom to move around than constants have , | |
07:20 | which is why vowels often stand out in different accents | |
07:23 | . A vowel inventory is the number of distinct vowel | |
07:26 | sounds in a particular language . Other languages with large | |
07:29 | bowel inventories include other Germanic languages , languages across Southeast | |
07:33 | Asia and languages from several families across the equatorial zone | |
07:37 | of africa like *** , congo , Nile , oh | |
07:40 | , Saharan and afro Asiatic . Many languages have inventories | |
07:44 | with around five or six vowels . This appears to | |
07:46 | be the middle ground for vowel systems . One example | |
07:49 | is spanish , which has the vowels E , A | |
07:52 | , O . And uh because this five vowel system | |
07:56 | is so common . The I . P . A | |
07:58 | . Uses the basic latin vowel symbols for these sounds | |
08:00 | and reserves the fancier symbols for rarer sounds . At | |
08:03 | the other end of the spectrum , there are many | |
08:05 | languages that get along fine with a much smaller bowel | |
08:08 | inventory . This includes Arabic , the majority of Australian | |
08:11 | languages and languages of the caucuses . Languages with smaller | |
08:15 | bowel sets tend to have much more complex continent inventories | |
08:19 | so things balance out . Thank you . Thought bubble | |
08:23 | . Different languages can have vows sit in any part | |
08:25 | of the valve space . Therefore the symbols on the | |
08:28 | I . P . A . Chart are like anchor | |
08:30 | points that indicate common distinctions in these features , and | |
08:33 | more precise distinctions can be indicated by adding dia critics | |
08:36 | like these . We're going to look briefly at three | |
08:38 | of these distinctions length , nationalisation and tone . First | |
08:42 | , his length , which is the amount of time | |
08:44 | of owls produced for like the difference between E and | |
08:47 | E . To indicate length . The type A adds | |
08:50 | a dia critic that looks almost like a colon but | |
08:53 | with tiny triangles instead of dots . Some languages that | |
08:55 | use vowel length to distinguish between words are Arabic , | |
08:59 | japanese and finish , you might be able to perceive | |
09:01 | a length distinction without realizing it . Think about the | |
09:04 | spanish or italian for yes C . And the english | |
09:08 | verb to see . They use the same vowel , | |
09:10 | but in english it's much longer . Second is nasal | |
09:13 | ization . We make the vowel sounds we've been talking | |
09:15 | about so far by moving air through our mouth . | |
09:18 | We can also make sounds by letting air flow through | |
09:20 | the nose . We make nasal consonants like ma and | |
09:23 | no by completely blocking the air in the mouth and | |
09:26 | having it come out the nose . But we can | |
09:28 | also make nasal vowels with both the mouth and the | |
09:31 | nose open . This is known as nationalization and it | |
09:34 | has a Dia critic to nationalization is a feature of | |
09:37 | french bow meaning beautiful and boom meaning good differ in | |
09:41 | that bomb has a nasal ist foul . In english | |
09:44 | , you might have encountered nationalization in a very relaxed | |
09:47 | pronunciation of , I don't know or uh finally we | |
09:51 | turn to town in many languages , changing the pitch | |
09:54 | of the voice to make different tones on bowels can | |
09:57 | create completely different words in mandarin , the word ma | |
10:00 | is mother , while Ma means horse languages can have | |
10:04 | tone systems with anywhere from 2 to 9 tones . | |
10:06 | Like some camps , we languages of southern china tone | |
10:10 | systems are common across Asia and africa , and different | |
10:12 | languages do different things with the general category of tone | |
10:15 | . Some tone systems will have a different tone for | |
10:17 | each syllable for a word , while others will have | |
10:19 | one tone per word in other languages , including english | |
10:23 | , we change the pitch of our voice to change | |
10:25 | the meaning of the whole sentence . For example , | |
10:27 | the pitch rises at the end of ascendance to indicate | |
10:30 | that something is a question and there's still more to | |
10:32 | say this is known as intonation instead of tone . | |
10:36 | And with that that's the second part of the I | |
10:38 | . P . A . Now we're no longer disembowel | |
10:41 | . In these past two episodes , we've been focusing | |
10:43 | on how people make sounds , which is the branch | |
10:45 | of phonetics known as articulate Torrey phonetics . There's also | |
10:48 | a branch that records these sounds and analyzes them known | |
10:52 | as acoustic phonetics and one that studies how people process | |
10:55 | the speech they here known as perceptual phonetics . So | |
10:59 | far we've described the properties of sounds in isolation . | |
11:01 | But when these sounds all run together in speech , | |
11:04 | they can start to affect each other . In the | |
11:06 | next episode we'll look at technology and what happens to | |
11:09 | sounds when we put them in context . Thanks for | |
11:11 | watching this episode of crash course linguistics . If you | |
11:14 | want to help keep all crash course free for everybody | |
11:17 | forever . You can join our community on Patreon |
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