Dracula

- By Bram Stoker
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Irish author (1847–1912) Bram StokerStoker c. 1906BornAbraham Stoker(1847-11-08)8 November 1847Clontarf, Dublin, IrelandDied20 April 1912(1912-04-20) (aged 64)Pimlico, London, EnglandOccupationNovelistAlma materTrinity College Dublin (BA, MA)PeriodVictorian era, Edwardian eraGenreGothic fiction, romantic fictionLiterary movementDark romanticismNotable worksDraculaSpouse Florence Balcombe ​(m. 1878)​Children1Signature Abraham "Bram" Stoker (8 November 1847 – 20 April 1912) was an Irish author who is best known for writing the 1897 Gothic horror novel Dracula. During his life, he was better known as the personal assistant of actor Sir Henry Irving and business manager of the West End's Lyceum Theatre, which Irving owned. In his early years, Stoker worked as a theatre critic for an Irish newspaper and wrote stories as well as commentaries. He also enjoyed travelling, particularly to Cruden Bay in Scotland where he set two of his novels. During another visit to the English coastal town of Whitby, Stoker drew inspiration for writing Dracula. He died on 20 April 1912 due to locomotor ataxia and was cremated in north London. Since his death, his magnum opus Dracula has become one of the best-known works in English literature and the novel has been adapted for numerous films, short stories, and plays.[1] Early life[edit] Stoker was born on 8 November 1847 at 15 Marino Crescent, Clontarf, in Dublin, Ireland.[2] The park adjacent to the house is now known as Bram Stoker Park.[3] His parents were Abraham Stoker (1799–1876), an Anglo-Irishman from Dublin and Charlotte Mathilda Blake Thornley (1818–1901), of English and Irish descent, who was raised in County Sligo.[4] Stoker was the third of seven children, the eldest of whom was Sir Thornley Stoker, 1st Baronet.[5] Abraham and Charlotte were members of the Church of Ireland Parish of Clontarf and attended the parish church with their children, who were baptised there.[6] Abraham was a senior civil servant. Stoker was bedridden with an unknown illness until he started school at the age of seven, when he made a complete recovery. Of this time, Stoker wrote, "I was naturally thoughtful, and the leisure of long illness gave opportunity for many thoughts which were fruitful according to their kind in later years." He was privately educated at Bective House school run by the Reverend William Woods.[7][8] After his recovery, he grew up without further serious illnesses, even excelling as an athlete at Trinity College, Dublin, which he attended from 1864 to 1870. He graduated with a BA in 1870, and paid to receive his MA in 1875. Though he later in life recalled graduating "with honours in mathematics", this appears to have been a mistake.[9] He was named University Athlete, participating in multiple sports, including playing rugby for Dublin University. He was auditor of the College Historical Society (the Hist) and president of the University Philosophical Society (he remains the only student in Trinity's history to hold both positions), where his first paper was on Sensationalism in Fiction and Society. Early career[edit] Bram Stoker's former home featuring a commemorative plaque, Kildare Street, Dublin Stoker became interested in the theatre while a student through his friend Dr. Maunsell. While working for the Irish Civil Service, he became the theatre critic for the Dublin Evening Mail,[10] which was co-owned by Sheridan Le Fanu, an author of Gothic tales. Theatre critics were held in low esteem at the time, but Stoker attracted notice by the quality of his reviews. In December 1876, he gave a favourable review of Henry Irving's Hamlet at the Theatre Royal in Dublin. Irving invited Stoker for dinner at the Shelbourne Hotel where he was staying, and they became friends. Stoker also wrote stories, and "Crystal Cup" was published by the London Society in 1872, followed by "The Chain of Destiny" in four parts in The Shamrock. In 1876, while a civil servant in Dublin, Stoker wrote the non-fiction book The Duties of Clerks of Petty Sessions in Ireland (published 1879), which remained a standard work.[7] Furthermore, he possessed an interest in art and was a founder of the Dublin Sketching Club in 1879. Lyceum Theatre[edit] Stoker's residence at 18 St Leonard's Terrace, Chelsea, LondonBlue plaque at the address In 1878, Stoker married Florence Balcombe, daughter of Lieutenant-Colonel James Balcombe of 1 Marino Crescent. She was a celebrated beauty whose former suitor had been Oscar Wilde.[11] Stoker had known Wilde from his student days, having proposed him for membership of the university's Philosophical Society while he was president. Wilde was upset at Florence's decision, but Stoker later resumed the acquaintanceship, and, after Wilde's fall, visited him on the Continent.[12] The Stokers moved to London, where Stoker became acting manager and then business manager of Irving's Lyceum Theatre in the West End, a post he held for 27 years.[13] On 31 December 1879, Bram and Florence's only child was born, a son whom they christened Irving Noel Thornley Stoker. The collaboration with Henry Irving was important for Stoker and through him, he became involved in London's high society, where he met James Abbott McNeill Whistler and Sir Arthur Conan Doyle (to whom he was distantly related). Working for Irving, the most famous actor of his time, and managing one of the most successful theatres in London made Stoker a notable if busy man. He was dedicated to Irving and his memoirs show he idolised him. In London, Stoker also met Hall Caine, who became one of his closest friends – he dedicated Dracula to him. In the course of Irving's tours, Stoker travelled the world, although he never visited Eastern Europe, a setting for his most famous novel. Stoker enjoyed the United States, where Irving was popular. With Irving he was invited twice to the White House, and knew William McKinley and Theodore Roosevelt. Stoker set two of his novels in America, and used Americans as characters, the most notable being Quincey Morris. He also met one of his literary idols, Walt Whitman, having written to him in 1872 an extraordinary letter[14] that some have interpreted as the expression of a deeply-suppressed homosexuality.[15][16] Bram Stoker in Cruden Bay[edit] Slains Castle, Cruden Bay. The early chapters of Dracula were written in Cruden Bay, and Slains Castle possibly provided visual inspiration for Bram Stoker during the writing phase. Stoker was a regular visitor to Cruden Bay in Scotland between 1892 and 1910. His month-long holidays to the Aberdeenshire coastal village provided a large portion of available time for writing his books. Two novels were set in Cruden Bay: The Watter's Mou' (1895) and The Mystery of the Sea (1902). He started writing Dracula there in 1895 while in residence at the Kilmarnock Arms Hotel. The guest book with his signatures from 1894 and 1895 still survives. The nearby Slains Castle (also known as New Slains Castle) is linked with Bram Stoker and plausibly provided the visual palette for the descriptions of Castle Dracula during the writing phase. A distinctive room in Slains Castle, the octagonal hall, matches the description of the octagonal room in Castle Dracula.[17] Writings[edit] Commemorative plaque in Whitby, North Yorkshire, the English coastal town frequented by Stoker, and where Count Dracula comes ashore in Dracula Stoker visited the English coastal town of Whitby in 1890, and that visit was said to be part of the inspiration for Dracula, staying at a guesthouse in West Cliff at 6 Royal Crescent, doing his research at the public library at 7 Pier Road (now Quayside Fish and Chips).[18][19][20][21] Count Dracula comes ashore at Whitby, and in the shape of a black dog runs up the 199 steps to the graveyard of St Mary's Church in the shadow of the Whitby Abbey ruins.[22] Stoker began writing novels while working as manager for Irving and secretary and director of London's Lyceum Theatre, beginning with The Snake's Pass in 1890 and Dracula in 1897. During this period, he was part of the literary staff of The Daily Telegraph in London, and he wrote other fiction, including the horror novels The Lady of the Shroud (1909) and The Lair of the White Worm (1911).[23] He published his Personal Reminiscences of Henry Irving in 1906, after Irving's death, which proved successful,[7] and managed productions at the Prince of Wales Theatre. Before writing Dracula, Stoker met Ármin Vámbéry, a Hungarian-Jewish writer and traveller (born in Szent-György, Kingdom of Hungary now Svätý Jur, Slovakia). Dracula likely emerged from Vámbéry's dark stories of the Carpathian Mountains.[24] However this claim has been challenged by many including Elizabeth Miller, a professor who, since 1990, has had as her major field of research and writing Dracula, and its author, sources, and influences. She has stated, "The only comment about the subject matter of the talk was that Vambery 'spoke loudly against Russian aggression.'" There had been nothing in their conversations about the "tales of the terrible Dracula" that are supposed to have "inspired Stoker to equate his vampire-protagonist with the long-dead tyrant." At any rate, by this time, Stoker's novel was well underway, and he was already using the name Dracula for his vampire.[25] Stoker then spent several years researching Central and East European folklore and mythological stories of vampires. The 1972 book In Search of Dracula by Radu Florescu and Raymond McNally claimed that the Count in Stoker's novel was based on Vlad III Dracula.[26] However, according to Elizabeth Miller, Stoker borrowed only the name and "scraps of miscellaneous information" about Romanian history; further, there are no comments about Vlad III in the author's working notes.[27][28][29] The first edition cover of Dracula Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship's logs, and newspaper clippings, all of which added a level of detailed realism to the story, a skill which Stoker had developed as a newspaper writer. At the time of its publication, Dracula was considered a "straightforward horror novel" based on imaginary creations of supernatural life.[23] "It gave form to a universal fantasy ... and became a part of popular culture."[23] According to the Encyclopedia of World Biography, Stoker's stories are today included in the categories of horror fiction, romanticized Gothic stories, and melodrama.[23] They are classified alongside other works of popular fiction, such as Mary Shelley's Frankenstein, which also used the myth-making and story-telling method of having multiple narrators telling the same tale from different perspectives. According to historian Jules Zanger, this leads the reader to the assumption that "they can't all be lying".[30] The original 541-page typescript of Dracula was believed to have been lost until it was found in a barn in northwestern Pennsylvania in the early 1980s.[31] It consisted of typed sheets with many emendations, and handwritten on the title page was "THE UN-DEAD." The author's name was shown at the bottom as Bram Stoker. Author Robert Latham remarked: "the most famous horror novel ever published, its title changed at the last minute."[32] The typescript was purchased by Microsoft co-founder Paul Allen. Stoker's inspirations for the story, in addition to Whitby, may have included a visit to Slains Castle in Aberdeenshire, a visit to the crypts of St. Michan's Church in Dublin, and the novella Carmilla by Sheridan Le Fanu.[33] Stoker's original research notes for the novel are kept by the Rosenbach Museum and Library in Philadelphia. A facsimile edition of the notes was created by Elizabeth Miller and Robert Eighteen-Bisang in 1998. Stoker at the London Library[edit] Stoker was a member of the London Library and conducted much of the research for Dracula there. In 2018, the Library discovered some of the books that Stoker used for his research, complete with notes and marginalia.[34] Death[edit] Shared urn which contains Stoker's and his son's ashes in Golders Green Crematorium After suffering a number of strokes, Stoker died at No. 26 St George's Square, London on 20 April 1912.[35] Some biographers attribute the cause of death to overwork,[36] others to tertiary syphilis.[37] His death certificate listed the cause of death as "Locomotor ataxia 6 months", presumed to be a reference to syphilis.[38][39] He was cremated, and his ashes were placed in a display urn at Golders Green Crematorium in north London. The ashes of Irving Noel Stoker, the author's son, were added to his father's urn following his death in 1961. The original plan had been to keep his parents' ashes together, but after Florence Stoker's death, her ashes were scattered at the Gardens of Rest. His ashes are still stored in Golders Green Crematorium today. Beliefs and philosophy[edit] Stoker was raised a Protestant in the Church of Ireland. He was a strong supporter of the Liberal Party and took a keen interest in Irish affairs.[7] As a "philosophical home ruler", he supported Home Rule for Ireland brought about by peaceful means. He remained an ardent monarchist who believed that Ireland should remain within the British Empire. He was an admirer of Prime Minister William Ewart Gladstone, whom he knew personally, and supported his plans for Ireland.[40] Stoker believed in progress and took a keen interest in science and science-based medicine. Some of Stoker's novels represent early examples of science fiction, such as The Lady of the Shroud (1909). He had a writer's interest in the occult, notably mesmerism, but despised fraud and believed in the superiority of the scientific method over superstition. Stoker counted among his friends J. W. Brodie-Innis, a member of the Hermetic Order of the Golden Dawn, and hired member Pamela Colman Smith as an artist for the Lyceum Theatre, but no evidence suggests that Stoker ever joined the Order himself.[41][42][43] Like Irving, who was an active Freemason, Stoker also became a member of the order, "initiated into Freemasonry in Buckingham and Chandos Lodge No. 1150 in February 1883, passed in April of that same year, and raised to the degree of Master Mason on 20 June 1883."[44] Stoker however was not a particular active Freemason, spent only six years as an active member,[45] and did not take part in any Masonic activities during his time in London.[46] Posthumous[edit] The short story collection Dracula's Guest and Other Weird Stories was published in 1914 by Stoker's widow, Florence Stoker, who was also his literary executrix. The first film adaptation of Dracula was F. W. Murnau's Nosferatu, released in 1922, with Max Schreck starring as Count Orlok. Florence Stoker eventually sued the filmmakers, and was represented by the attorneys of the British Incorporated Society of Authors. Her chief legal complaint was that she had neither been asked for permission for the adaptation nor paid any royalty. The case dragged on for some years, with Mrs. Stoker demanding the destruction of the negative and all prints of the film. The suit was finally resolved in the widow's favour in July 1925. A single print of the film survived, however, and it has become well known. The first authorised film version of Dracula did not come about until almost a decade later when Universal Studios released Tod Browning's Dracula starring Bela Lugosi. Dacre Stoker[edit] Canadian writer Dacre Stoker, a great-grandnephew of Bram Stoker, decided to write "a sequel that bore the Stoker name" to "reestablish creative control over" the original novel, with encouragement from screenwriter Ian Holt, because of the Stokers' frustrating history with Dracula's copyright. In 2009, Dracula: The Un-Dead was released, written by Dacre Stoker and Ian Holt. Both writers "based [their work] on Bram Stoker's own handwritten notes for characters and plot threads excised from the original edition" along with their own research for the sequel. This also marked Dacre Stoker's writing debut.[47][48] In spring 2012, Dacre Stoker in collaboration with Elizabeth Miller presented the "lost" Dublin Journal written by Bram Stoker, which had been kept by his great-grandson Noel Dobbs. Stoker's diary entries shed a light on the issues that concerned him before his London years. A remark about a boy who caught flies in a bottle might be a clue for the later development of the Renfield character in Dracula.[49] Commemorations[edit] On 8 November 2012, Stoker was honoured with a Google Doodle on Google's homepage commemorating the 165th anniversary of his birth.[50][51] An annual festival takes place in Dublin, the birthplace of Bram Stoker, in honour of his literary achievements. The Dublin City Council Bram Stoker Festival encompasses spectacles, literary events, film, family-friendly activities and outdoor events, and takes place every October Bank Holiday Weekend in Dublin.[52][53] The festival is supported by the Bram Stoker Estate[54] and is funded by Dublin City Council. Bibliography[edit] Novels[edit] The Primrose Path (1875) The Chain of Destiny (novella) (1875) The Snake's Pass (1890) The Fate of Fenella (consecutive novel, chapter 10) (1891–1892) The Watter's Mou' (1895) The Shoulder of Shasta (1895) Dracula (1897) Miss Betty (1898) The Mystery of the Sea (1902) The Jewel of Seven Stars (1903, revised 1912) The Man (1905); issued also as The Gates of Life Lady Athlyne (1908) The Lady of the Shroud (1909) The Lair of the White Worm (1911, posthumously abridged 1925); issued also as The Garden of Evil Seven Golden Buttons (written in 1891, much material reused in Miss Betty; posthumously published in 2015)[55] Short story collections[edit] Under the Sunset (1881) – eight fairy tales for children Snowbound: The Record of a Theatrical Touring Party (1908) Dracula's Guest and Other Weird Stories (1914) Uncollected stories[edit] Title Date of earliest appearance Earliest appearance Novelisation "The Crystal Cup" September 1872 London Society (London) "Buried Treasures" 13 March 1875 and 20 March 1875 The Shamrock (Dublin) "The Chain of Destiny" 1 May 1875 and 22 May 1875 The Shamrock (Dublin) "The Dualitists; or, The Death Doom of the Double Born" 1887 The Theatre Annual (London) "The Gombeen Man" 1889–1890 The People (London) Chapter 3 of The Snake's Pass "Gibbet Hill"[56] 1890 Daily Express (Dublin) "Lucky Escapes of Sir Henry Irving" 1890 "The Night of the Shifting Bog" January 1891 Current Literature: A Magazine of Record and Review, Vol. VI, No. 1. (New York) "Lord Castleton Explains" 30 January 1892 The Gentlewoman: The Illustrated Weekly Journal for Gentlewomen (London) Chapter 10 of The Fate of Fenella (Hutchinson, 1892) "Old Hoggen: A Mystery" 1893 "The Man from Shorrox" February 1894 The Pall Mall Magazine (London) "The Red Stockade" September 1894 The Cosmopolitan: An Illustrated Monthly Magazine (London) "When the Sky Rains Gold" 26 August and 2 September 1894 Lloyd's Weekly Newspaper (London) "At the Watter's Mou': Between Duty and Love" November 1895 Current Literature: A Magazine of Record and Review, Vol. XVIII, No. 5. (New York) Part of Chapter 2 of The Watter's Mou' "Our New House" 20 December 1895 The Theatre Annual (London) "Bengal Roses" 17 and 24 July 1898 Lloyd's Weekly Newspaper "A Yellow Duster" 7 May 1899 Lloyd's Weekly Newspaper "A Young Widow" 1899 "A Baby Passenger" 9 February 1899 Lloyd's Weekly Newspaper "The Seer" 1902 The Mystery of the Sea (New York: Doubleday, Page & Co.) Chapters 1 and 2 of The Mystery of the Sea "The Bridal of Death" 1903 The Jewel of the Seven Stars (London: William Heinemann) Alternate ending to The Jewel of Seven Stars "What They Confessed: A Low Comedian's Story" 1908 "The Way of Peace" 1909 Everybody's Story Magazine (London) "The 'Eroes of the Thames" October 1908 The Royal Magazine (London) "Greater Love" October 1914 The London Magazine (London) Non-fiction[edit] The Duties of Clerks of Petty Sessions in Ireland (1879) A Glimpse of America (1886) Personal Reminiscences of Henry Irving (1906) Famous Impostors (1910) Great Ghost Stories (1998) (Compiled by Peter Glassman, Illustrated by Barry Moser) Bram Stoker's Notes for Dracula: A Facsimile Edition (2008) Bram Stoker Annotated and Transcribed by Robert Eighteen-Bisang and Elizabeth Miller, Foreword by Michael Barsanti. Jefferson, NC & London: McFarland. ISBN 978-0-7864-3410-7 Articles[edit] "Recollections of the Late W. G. Wills", The Graphic, 19 December 1891 "The Art of Ellen Terry", The Playgoer, October 1901 "The Question of a National Theatre", The Nineteenth Century and After, Vol. LXIII, January/June 1908 "Mr. De Morgan's Habits of Work", The World's Work, Vol. XVI, May/October 1908 "The Censorship of Fiction", The Nineteenth Century and After, Vol. LXIV, July/December 1908 "The Censorship of Stage Plays", The Nineteenth Century and After, Vol. LXVI, July/December 1909 "Irving and Stage Lightning", The Nineteenth Century and After, Vol. LXIX, January/June 1911 Critical works on Stoker[edit] William Hughes, Beyond Dracula: Bram Stoker's Fiction and Its Cultural Context (Palgrave, 2000) ISBN 0-312-23136-9[57] Belford, Barbara. Bram Stoker: A Biography of the Author of Dracula. London: Weidenfeld and Nicolson, 1996. Hopkins, Lisa. Bram Stoker: A Literary Life. Basingstoke, England: Palgrave Macmillan, 2007. Murray, Paul. From the Shadow of Dracula: A Life of Bram Stoker (London: Jonathan Cape, 2004) Senf, Carol. Science and Social Science in Bram Stoker's Fiction (Greenwood, 2002). Senf, Carol. Dracula: Between Tradition and Modernism (Twayne, 1998). Senf, Carol A. Bram Stoker (University of Wales Press, 2010). Shepherd, Mike. When Brave Men Shudder: the Scottish origins of Dracula (Wild Wolf Publishing, 2018). Skal, David J. Something in the Blood: The Untold Story of Bram Stoker (Liveright, 2016) Bibliographies[edit] William Hughes Bram Stoker – Victorian Fiction Research Guide References[edit] ^ "The 100 best novels: No 31 – Dracula by Bram Stoker (1897)". TheGuardian.com. 21 April 2014. ^ Belford, Barbara (2002). Bram Stoker and the Man Who Was Dracula. Cambridge, Massachusetts: Da Capo Press. p. 17. ISBN 978-0-306-81098-5. ^ "The dark attraction of a literary landmark". The Irish Times. ^ Murray, Paul (2004). From the Shadow of Dracula: A Life of Bram Stoker. Random House. p. 11. ISBN 978-0224044622. ^ His siblings were: Sir (William) Thornley Stoker, born in 1845; Mathilda, born 1846; Thomas, born 1850; Richard, born 1852; Margaret, born 1854; and George, born 1855 ^ "Stoker Family Tree" (PDF). 2012. Archived from the original (PDF) on 24 September 2015. Retrieved 18 September 2014. ^ a b c d Obituary, Irish Times, 23 April 1912 ^ "Bloomsbury Collections – Bram Stoker's Dracula – A Reader's Guide". www.bloomsburycollections.com. Retrieved 19 January 2023. ^ Bram Stoker (1847–1912) Trinity College Dublin Writers by Jarlath Killeen ^ "Dracula creator Bram Stoker born". www.history.com. A&E Television Networks. 2010. Archived from the original on 7 March 2010. Retrieved 21 October 2022. He then worked for the Irish Civil Service while writing theatre reviews for a Dublin newspaper on the side. ^ Irish Times, 8 March 1882, p. 5 ^ "Why Dracula never loses his bite". Irish Times. 28 March 2009. Archived from the original on 13 October 2012. Retrieved 1 April 2009. ^ "Resurrected: Dracula author Bram Stoker's first attempts at Gothic horror". The Guardian. Retrieved 4 May 2023. ^ David J. Skal, Something In The Blood: The True Story Of Bram Stoker, Liveright, 2016, pp. 92–97. ^ Poletti, Jonathan (4 September 2022). "The queer life of Bram Stoker". medium.com. Retrieved 19 October 2022. ^ Schaffer, Talia (1994). ""A Wilde Desire Took Me": The Homoerotic History of Dracula". ELH. 61 (2): 381–425. doi:10.1353/elh.1994.0019. JSTOR 2873274. S2CID 161888586. Retrieved 19 October 2022. ^ Shepherd, Mike (2018). When Brave Men Shudder; the Scottish origins of Dracula. Wild Wolf Publishing. ^ Lee, Leonard (24 July 2016). "Travels to Whitby: My Search for Count Dracula's Birth Certificate". vamped.org. Retrieved 26 June 2024. ^ "The Ultimate Dracula Tour Of Whitby In England". 2 July 2021. Retrieved 26 June 2024. ^ "Quayside – Whitby". Retrieved 26 June 2024. ^ "How Dracula Came to Whitby". English Heritage. Retrieved 4 May 2023. ^ "Whitby Abbey to be illuminated with bats to mark 125 years of Dracula". Yorkshire Post. Retrieved 4 May 2023. ^ a b c d Encyclopedia of World Biography, Gale Research (1998) vol 8. pp. 461–464 ^ "Vampires – Top 10 Famous Mysterious Monsters". Tone.com. 14 August 2009. Archived from the original on 17 August 2009. ^ ""MY FRIEND ARMINIUS"". www.ucs.mun.ca. Retrieved 9 October 2021. ^ Lizzie Dearden (20 May 2014). "Radu Florescu dead: Legacy of the Romanian 'Dracula professor' remembered". The Independent. Retrieved 9 November 2018. ^ Jimmie e. Cain, Jr (2006). Bram Stoker and Russophobia: Evidence of the British Fear of Russia in Dracula and the Lady of the Shroud. McFarland. p. 182. ISBN 978-0786424078. ^ Miller, Elizabeth (2005). A Dracula Handbook. Xlibris Corporation. pp. 112–113. ISBN 978-1465334008. ^ Light, Duncan (2016). The Dracula Dilemma: Tourism, Identity and the State in Romania. Routledge. ISBN 978-1317035312. ^ Zanger, Jules (1997). Blood Read: The Vampire as Metaphor in Contemporary Culture ed. Joan Gordon. Univ. of Pennsylvania Press, pp. 17–24 ^ John J. Miller (28 October 2008). "What a Tax Lawyer Dug Up on 'Dracula'". WSJ. ^ Latham, Robert. Science Fiction & Fantasy Book Review Annual, Greenwood Publishing (1988) p. 67 ^ Boylan, Henry (1998). A Dictionary of Irish Biography, 3rd Edition. Dublin: Gill and Macmillan. p. 412. ISBN 978-0-7171-2945-4. ^ "The Books That Made Dracula". The London Library. Retrieved 14 February 2019. ^ "Bram Stoker". Victorian Web. 30 April 2008. Retrieved 12 December 2008. ^ The Discussion (3rd ed.). Grade Eight – Bram Stoker: Oberon Books (for The London Academy of Music and Dramatic Art). 2004. p. 97. ISBN 978-1-84002-431-9. ^ Gibson, Peter (1985). The Capital Companion. Webb & Bower. pp. 365–366. ISBN 978-0-86350-042-8. ^ Davison, Carol Margaret (1 November 1997). Bram Stoker's Dracula: Sucking Through the Century, 1897–1997. Dundurn. ISBN 9781554881055 – via Google Books. ^ "100 years ago today: the death of Bram Stoker". OUPblog. 20 April 2012. ^ Murray, Paul. From the Shadow of Dracula: A Life of Bram Stoker. 2004. ^ "Shadowplay Pagan and Magick webzine – Hermetic Horrors". Shadowplayzine.com. 16 September 1904. Archived from the original on 9 November 2009. Retrieved 18 June 2012. ^ Ravenscroft, Trevor (1982). The occult power behind the spear which pierced the side of Christ. Red Wheel. p. 165. ISBN 978-0-87728-547-2. ^ Picknett, Lynn (2004). The Templar Revelation: Secret Guardians of the True Identity of Christ. Simon and Schuster. p. 201. ISBN 978-0-7432-7325-1. ^ "The Story of Freemason Bram Stoker". Scottish Rite, NMJ. Retrieved 31 October 2024. ^ "The Story of Freemason Bram Stoker". Scottish Rite, NMJ. Retrieved 31 October 2024. ^ "The Ripper and The Lyceum: The Significance of Irving's Freemasonry". 24 November 2002. Retrieved 4 June 2019. John Pickamp; Robert Protheroug 'The Ripper and The Lyceum: The Significance of Irving's Freemasonry ' The Irving Society website ^ Dracula: The Un-Dead by Dacre Stoker and Ian Holt ^ "Overview". www.DraculaTheUnDead.com. Archived from the original on 3 January 2010. ^ Stoker, Bram. Bram Stoker's Lost Dublin Journal, ed. by Stoker, Dacre and Miller, Elizabeth. London: Biteback Press, 2012 ^ "Bram Stoker's 165th Birthday". www.google.com. Retrieved 19 October 2022. ^ Doyle, Carmel (8 November 2012). "Bram Stoker books: gothic Google Doodle honours Dracula author". Silicon Republic. Retrieved 8 November 2012. ^ "Bram Stoker Festival". Bram Stoker Festival. ^ "What's on in Dublin – Dublin Events, Festivals, Concerts, Theatre, family events". Visit Dublin. Archived from the original on 19 October 2014. Retrieved 21 July 2014. ^ "The Bram Stoker Festival in Dublin – 2013 Events". Archived from the original on 8 August 2014. Retrieved 21 July 2014. ^ "Bram Stoker – Miss Betty". www.bramstoker.org. ^ "Long Lost Bram Stoker Story Resurfaces". Bram Stoker Festival. Dublin City Council. 19 October 2024. Archived from the original on 19 October 2024. Retrieved 19 October 2024. ^ "Project MUSE". Archived from the original on 4 March 2016. Retrieved 24 November 2018. External links[edit] Library resources about Bram Stoker Resources in your library Resources in other libraries Bram Stoker at Wikipedia's sister projects Media from CommonsQuotations from WikiquoteTexts from Wikisource Works by Bram Stoker in eBook form at Standard Ebooks Works by Bram Stoker at Project Gutenberg Works by Bram Stoker at LibriVox (public domain audiobooks) Works by Bram Stoker at Open Library h2g2 article on Bram Stoker Bram Stoker at the Internet Speculative Fiction Database Archival material at Leeds University Library Bram Stoker at IMDb Bram Stoker at Library of Congress, with 219 library catalogue records vteBram StokerNovels The Primrose Path (1875) The Snake's Pass (1890) The Watter's Mou' (1895) The Shoulder of Shasta (1895) Dracula (1897) Miss Betty (1898) The Mystery of the Sea (1902) The Jewel of Seven Stars (1903) The Man (1905) Lady Athlyne (1908) The Lady of the Shroud (1909) The Lair of the White Worm (1911) Short story collections Under the Sunset (1881) Snowbound: The Record of a Theatrical Touring Party (1908) Dracula's Guest and Other Weird Stories (1914) "Dracula's Guest" Non-fiction The Duties of Clerks of Petty Sessions in Ireland (1879) A Glimpse of America (1886) Personal Reminiscences of Henry Irving (1906) Famous Impostors (1910) Related Charlotte Stoker (mother) Florence Balcombe (wife) Thornley Stoker (brother) William Thomson (brother-in-law) Bram Stoker Award vteBram Stoker's DraculaUniverseCharacters Count Dracula Abraham Van Helsing Jonathan Harker Mina Harker Lucy Westenra Arthur Holmwood Dr. John Seward Quincey Morris Renfield Brides of Dracula Publications Dracula (1897) Powers of Darkness (1899) Icelandic "Dracula's Guest" (1914) Dracula's Guest and Other Weird Stories (1914) Dacre Stoker Dracula the Un-dead (2009) Dracul (2018) Possible inspirations Vlad II Dracul Vlad Călugărul Vlad the Impaler Castles Castle Dracula Bran Castle Poenari Castle Corvin Castle FilmsUniversalseries Dracula (1931 English-language) Dracula (1931 Spanish-language) Dracula's Daughter (1936) Son of Dracula (1943) House of Frankenstein (1944) House of Dracula (1945) Abbott and Costello Meet Frankenstein (1948) Hammer Horror Dracula (1958) The Brides of Dracula (1960) Dracula: Prince of Darkness (1966) Dracula Has Risen from the Grave (1968) Taste the Blood of Dracula (1970) Scars of Dracula (1970) Dracula A.D. 1972 (1972) The Satanic Rites of Dracula (1973) The Legend of the 7 Golden Vampires (1974) Dracula 2000 Dracula 2000 (2000) Dracula II: Ascension (2003) Dracula III: Legacy (2005) Nosferatu films Nosferatu (1922) Nosferatu the Vampyre (1979) Nosferatu in Venice (1988) Shadow of the Vampire (2000) Nosferatu (2024) Hotel Transylvania Hotel Transylvania (2012) Hotel Transylvania 2 (2015) Hotel Transylvania 3: Summer Vacation (2018) Hotel Transylvania: Transformania (2022) Parodies Transylvania 6-5000 (1963) Mad Monster Party? (1967) Batman Fights Dracula (1967) Dracula (The Dirty Old Man) (1969) Mad Mad Mad Monsters (1972) Blood for Dracula (1974) Vampira (1974) Son of Dracula (1974) Dracula in the Provinces (1975) Dracula and Son (1976) Dracula Sucks (1979) Love at First Bite (1979) The Halloween That Almost Wasn't (1979) Fracchia contro Dracula (1985) Transylvania 6-5000 (1985) The Monster Squad (1987) Scooby-Doo! and the Reluctant Werewolf (1988) Dracula: Dead and Loving It (1995) Monster Mash (1995) Monster Mash (2000) Zora the Vampire (2000) Monster Family (2017) Other Drakula halála (1923) The Return of the Vampire (1943) Drakula İstanbul'da (1953) Blood of Dracula (1957) The Return of Dracula (1958) Batman Dracula (1964) Billy the Kid Versus Dracula (1966) Blood of Dracula's Castle (1969) Santo en el tesoro de Drácula (1969) Count Dracula (1970) Los Monstruos del Terror (1970) Cuadecuc, vampir (1971) Vampyros Lesbos (1971) Hrabe Drakula (1971) Dracula vs. Frankenstein (1971) Blacula (1972) Scream Blacula Scream (1973) Bram Stoker's Dracula (1974) Count Dracula's Great Love (1974) Deafula (1975) Dracula's Dog (1977) Count Dracula (1977) Doctor Dracula (1978) Dracula (1979) Nocturna: Granddaughter of Dracula (1979) Dracula: Sovereign of the Damned (1980) Dracula's Widow (1988) To Die For (1989) Sundown: The Vampire in Retreat (1989) Bram Stoker's Dracula (1992) Nadja (1994) Dark Prince: The True Story of Dracula (2000) Bara no Konrei ~Mayonaka ni Kawashita Yakusoku~ (2001) Dracula: Pages from a Virgin's Diary (2002) Dracula (2002) Van Helsing (2004) Van Helsing: The London Assignment (2004) The Vulture's Eye (2004) Dracula 3000 (2004) Blade: Trinity (2004) The Batman vs. Dracula (2005) Bram Stoker's Dracula's Curse (2006) Dracula (2006) Bram Stoker's Dracula's Guest (2008) The Librarian: Curse of the Judas Chalice (2008) House of the Wolf Man (2009) Young Dracula (2011) Dracula Reborn (2012) Dracula 3D (2012) Saint Dracula 3D (2012) Dracula 2012 (2013) Dracula: The Dark Prince (2013) Dracula Untold (2014) Renfield (2023) The Last Voyage of the Demeter (2023) Abigail (2024) Dracula: A Love Tale (TBA) TelevisionSeries Monster Squad (1976) Draculas ring (1978) Cliffhangers (1979) Drak Pack (1980) Count Duckula (1988–1993) Dracula: The Series (1990–1991) Little Dracula (1991–1999) Monster Force (1994) Ace Kilroy (2011–2012) Young Dracula (2006–2014) characters Dracula (2013–2014) Penny Dreadful (2014–2016) Decker (2014–2017) Van Helsing (2016–21) Hotel Transylvania: The Series (2017–2020) Castlevania (2017–21) Dracula (2020) Episodes "Dracula" (Mystery and Imagination) (1968) "Buffy vs. Dracula" (2000) Young Dracula episodes (2006–2014) Penny Dreadful episodes (2014–2016) Hotel Transylvania: The Series episodes (2017–2020) The Simpsons Treehouse of Horror "Treehouse of Horror IV" (1993) "Treehouse of Horror XXI" (2010) Other mediaNovels The Dracula Tape and sequels (1975–2002) Anno Dracula series (1992–present) Anno Dracula The Bloody Red Baron Dracula Cha Cha Cha The Revenge of Dracula (1978) Little Dracula (1986) Dracula the Undead (1997) The Historian (2005) The Book of Renfield (2005) Bloodline (2005) Young Dracula and Young Monsters (2006) Fangland (2007) Out of the Dark (2010) Radio Dracula (1938) Plays Dracula (1924) Dracula (1995) Dracula (1996) Musicals Dracula (Czech musical) (1995) Dracula: A Chamber Musical (1997) Dracula, the Musical (2004) Dracula – Entre l'amour et la mort (2006) Dracula – L'amour plus fort que la mort (2011) Comics Crossover Dracula (Marvel Comics) The Tomb of Dracula X-Men: Apocalypse vs. Dracula Captain Britain and MI13: Vampire State Mrs. Deadpool and the Howling Commandos Dracula (Dell Comics) Don Dracula Dracula Lives! Hellsing Sword of Dracula Batman & Dracula trilogy Victorian Undead Wolves at the Gate Purgatori Video games The Count (1979) Dracula (1983) Ghost Manor (1983) Castlevania series 1986–present Dracula Dracula (1986) Dracula the Undead (1991) Drac's Night Out (unreleased) Bram Stoker's Dracula (1993) Bram Stoker's Dracula (handheld) (1993) Dracula Unleashed (1993) Dracula: Resurrection (2000) Dracula 2: The Last Sanctuary (2000) Dracula: Crazy Vampire (2001) Van Helsing (2004) Dracula 3: The Path of the Dragon (2008) Dracula: Origin (2008) Vampire Season Monster Defense (2012) Dracula 4: The Shadow of the Dragon (2013) Dracula 5: The Blood Legacy (2013) The Incredible Adventures of Van Helsing (2013) Renfield: Bring Your Own Blood (2023) Pinball Dracula (1979) Taxi (1988) Bram Stoker's Dracula (1993) Monster Bash (1998) Tabletop games The Fury of Dracula Albums Dracula Dracula 2000 Iubilaeum Anno Dracula 2001 Perfect Selection: Dracula Battle Transylvania Van Helsing Songs "Love Song for a Vampire" Audio dramas Son of the Dragon Original charactersAlternative versionsof Dracula Alucard (Hellsing) Count Alucard Dracula (Castlevania) Dracula (Marvel Comics) Count Orlok Soma Cruz Relatives of Dracula Alucard (Castlevania) Vampire Hunter D Eva Janus Dracula Lilith Dracula Shiklah Dracula Other Blade Count von Count Simon Belmont Related Lugosi v. 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D R A C U L A CHAPTER I
JONATHAN HARKER'S JOURNAL (Kept in shorthand.)
3 May. Bistritz.-Left Munich at 8:35 P. M., on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we had arrived late and would start as near the correct time as possible. The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.
We left in pretty good time, and came after nightfall to Klausenburgh. Here I stopped for the night at the Hotel Royale. I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Mem., get recipe for Mina.) I asked the waiter, and he said it was called "paprika hendl," and that, as it was a national dish, I should be able to get it anywhere along the Carpathians. I found my smattering of German very useful here; indeed, I don't know how I should be able to get on without it.
Having had some time at my disposal when in London, I had visited the British Museum, and made search among the books and maps in the library regarding Transylvania; it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country. I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.
In the population of Transylvania there are four distinct nationalities: Saxons in the South, and mixed with them the Wallachs, who are the descendants of the Dacians; Magyars in the West, and Szekelys in the East and North. I am going among the latter, who claim to be descended from Attila and the Huns. This may be so, for when the Magyars conquered the country in the eleventh century they found the Huns settled in it. I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)
I did not sleep well, though my bed was comfortable enough, for I had all sorts of queer dreams. There was a dog howling all night under my window, which may have had something to do with it; or it may have been the paprika, for I had to drink up all the water in my carafe, and was still thirsty. Towards morning I slept and was wakened by the continuous knocking at my door, so I guess I must have been sleeping soundly then. I had for breakfast more paprika, and a sort of porridge of maize flour which they said was "mamaliga," and egg-plant stuffed with forcemeat, a very excellent dish, which they call "impletata." (Mem., get recipe for this also.) I had to hurry breakfast, for the train started a little before eight, or rather it ought to have done so, for after rushing to the station at 7:30 I had to sit in the carriage for more than an hour before we began to move. It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?
All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject to great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear. At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets and round hats and home-made trousers; but others were very picturesque. The women looked pretty, except when you got near them, but they were very clumsy about the waist. They had all full white sleeves of some kind or other, and most of them had big belts with a lot of strips of something fluttering from them like the dresses in a ballet, but of course there were petticoats under them. The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.
It was on the dark side of twilight when we got to Bistritz, which is a very interesting old place. Being practically on the frontier-for the Borgo Pass leads from it into Bukovina-it has had a very stormy existence, and it certainly shows marks of it. Fifty years ago a series of great fires took place, which made terrible havoc on five separate occasions. At the very beginning of the seventeenth century it underwent a siege of three weeks and lost 13,000 people, the casualties of war proper being assisted by famine and disease.
Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country. I was evidently expected, for when I got near the door I faced a cheery-looking elderly woman in the usual peasant dress-white undergarment with long double apron, front, and back, of coloured stuff fitting almost too tight for modesty. When I came close she bowed and said, "The Herr Englishman?" "Yes," I said, "Jonathan Harker." She smiled, and gave some message to an elderly man in white shirt-sleeves, who had followed her to the door. He went, but immediately returned with a letter:-
"My Friend.-Welcome to the Carpathians. I am anxiously expecting you. Sleep well to-night. At three to-morrow the diligence will start for Bukovina; a place on it is kept for you. At the Borgo Pass my carriage will await you and will bring you to me. I trust that your journey from London has been a happy one, and that you will enjoy your stay in my beautiful land. "Your friend, "Dracula."
4 May.-I found that my landlord had got a letter from the Count, directing him to secure the best place on the coach for me; but on making inquiries as to details he seemed somewhat reticent, and pretended that he could not understand my German. This could not be true, because up to then he had understood it perfectly; at least, he answered my questions exactly as if he did. He and his wife, the old lady who had received me, looked at each other in a frightened sort of way. He mumbled out that the money had been sent in a letter, and that was all he knew. When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all, simply refused to speak further. It was so near the time of starting that I had no time to ask any one else, for it was all very mysterious and not by any means comforting.
Just before I was leaving, the old lady came up to my room and said in a very hysterical way:
"Must you go? Oh! young Herr, must you go?" She was in such an excited state that she seemed to have lost her grip of what German she knew, and mixed it all up with some other language which I did not know at all. I was just able to follow her by asking many questions. When I told her that I must go at once, and that I was engaged on important business, she asked again:
"Do you know what day it is?" I answered that it was the fourth of May. She shook her head as she said again:
"Oh, yes! I know that! I know that, but do you know what day it is?" On my saying that I did not understand, she went on:
"It is the eve of St. George's Day. Do you not know that to-night, when the clock strikes midnight, all the evil things in the world will have full sway? Do you know where you are going, and what you are going to?" She was in such evident distress that I tried to comfort her, but without effect. Finally she went down on her knees and implored me not to go; at least to wait a day or two before starting. It was all very ridiculous but I did not feel comfortable. However, there was business to be done, and I could allow nothing to interfere with it. I therefore tried to raise her up, and said, as gravely as I could, that I thanked her, but my duty was imperative, and that I must go. She then rose and dried her eyes, and taking a crucifix from her neck offered it to me. I did not know what to do, for, as an English Churchman, I have been taught to regard such things as in some measure idolatrous, and yet it seemed so ungracious to refuse an old lady meaning so well and in such a state of mind. She saw, I suppose, the doubt in my face, for she put the rosary round my neck, and said, "For your mother's sake," and went out of the room. I am writing up this part of the diary whilst I am waiting for the coach, which is, of course, late; and the crucifix is still round my neck. Whether it is the old lady's fear, or the many ghostly traditions of this place, or the crucifix itself, I do not know, but I am not feeling nearly as easy in my mind as usual. If this book should ever reach Mina before I do, let it bring my good-bye. Here comes the coach!
5 May. The Castle.-The grey of the morning has passed, and the sun is high over the distant horizon, which seems jagged, whether with trees or hills I know not, for it is so far off that big things and little are mixed. I am not sleepy, and, as I am not to be called till I awake, naturally I write till sleep comes. There are many odd things to put down, and, lest who reads them may fancy that I dined too well before I left Bistritz, let me put down my dinner exactly. I dined on what they called "robber steak"-bits of bacon, onion, and beef, seasoned with red pepper, and strung on sticks and roasted over the fire, in the simple style of the London cat's meat! The wine was Golden Mediasch, which produces a queer sting on the tongue, which is, however, not disagreeable. I had only a couple of glasses of this, and nothing else.
When I got on the coach the driver had not taken his seat, and I saw him talking with the landlady. They were evidently talking of me, for every now and then they looked at me, and some of the people who were sitting on the bench outside the door-which they call by a name meaning "word-bearer"-came and listened, and then looked at me, most of them pityingly. I could hear a lot of words often repeated, queer words, for there were many nationalities in the crowd; so I quietly got my polyglot dictionary from my bag and looked them out. I must say they were not cheering to me, for amongst them were "Ordog"-Satan, "pokol"-hell, "stregoica"-witch, "vrolok" and "vlkoslak"-both of which mean the same thing, one being Slovak and the other Servian for something that is either were-wolf or vampire. (Mem., I must ask the Count about these superstitions)
When we started, the crowd round the inn door, which had by this time swelled to a considerable size, all made the sign of the cross and pointed two fingers towards me. With some difficulty I got a fellow-passenger to tell me what they meant; he would not answer at first, but on learning that I was English, he explained that it was a charm or guard against the evil eye. This was not very pleasant for me, just starting for an unknown place to meet an unknown man; but every one seemed so kind-hearted, and so sorrowful, and so sympathetic that I could not but be touched. I shall never forget the last glimpse which I had of the inn-yard and its crowd of picturesque figures, all crossing themselves, as they stood round the wide archway, with its background of rich foliage of oleander and orange trees in green tubs clustered in the centre of the yard. Then our driver, whose wide linen drawers covered the whole front of the box-seat-"gotza" they call them-cracked his big whip over his four small horses, which ran abreast, and we set off on our journey.
I soon lost sight and recollection of ghostly fears in the beauty of the scene as we drove along, although had I known the language, or rather languages, which my fellow-passengers were speaking, I might not have been able to throw them off so easily. Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom-apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the "Mittel Land" ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillsides like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not yet been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadars would not repair them, lest the Turk should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point.
Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colours of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water. One of my companions touched my arm as we swept round the base of a hill and opened up the lofty, snow-covered peak of a mountain, which seemed, as we wound on our serpentine way, to be right before us:- "Look! Isten szek!"-"God's seat!"-and he crossed himself reverently.
As we wound on our endless way, and the sun sank lower and lower behind us, the shadows of the evening began to creep round us. This was emphasised by the fact that the snowy mountain-top still held the sunset, and seemed to glow out with a delicate cool pink. Here and there we passed Cszeks and Slovaks, all in picturesque attire, but I noticed that goitre was painfully prevalent. By the roadside were many crosses, and as we swept by, my companions all crossed themselves. Here and there was a peasant man or woman kneeling before a shrine, who did not even turn round as we approached, but seemed in the self-surrender of devotion to have neither eyes nor ears for the outer world. There were many things new to me: for instance, hay-ricks in the trees, and here and there very beautiful masses of weeping birch, their white stems shining like silver through the delicate green of the leaves. Now and again we passed a leiter-wagon-the ordinary peasant's cart-with its long, snake-like vertebra, calculated to suit the inequalities of the road. On this were sure to be seated quite a group of home-coming peasants, the Cszeks with their white, and the Slovaks with their coloured, sheepskins, the latter carrying lance-fashion their long staves, with axe at end. As the evening fell it began to get very cold, and the growing twilight seemed to merge into one dark mistiness the gloom of the trees, oak, beech, and pine, though in the valleys which ran deep between the spurs of the hills, as we ascended through the Pass, the dark firs stood out here and there against the background of late-lying snow. Sometimes, as the road was cut through the pine woods that seemed in the darkness to be closing down upon us, great masses of greyness, which here and there bestrewed the trees, produced a peculiarly weird and solemn effect, which carried on the thoughts and grim fancies engendered earlier in the evening, when the falling sunset threw into strange relief the ghost-like clouds which amongst the Carpathians seem to wind ceaselessly through the valleys. Sometimes the hills were so steep that, despite our driver's haste, the horses could only go slowly. I wished to get down and walk up them, as we do at home, but the driver would not hear of it. "No, no," he said; "you must not walk here; the dogs are too fierce"; and then he added, with what he evidently meant for grim pleasantry-for he looked round to catch the approving smile of the rest-"and you may have enough of such matters before you go to sleep." The only stop he would make was a moment's pause to light his lamps.
When it grew dark there seemed to be some excitement amongst the passengers, and they kept speaking to him, one after the other, as though urging him to further speed. He lashed the horses unmercifully with his long whip, and with wild cries of encouragement urged them on to further exertions. Then through the darkness I could see a sort of patch of grey light ahead of us, as though there were a cleft in the hills. The excitement of the passengers grew greater; the crazy coach rocked on its great leather springs, and swayed like a boat tossed on a stormy sea. I had to hold on. The road grew more level, and we appeared to fly along. Then the mountains seemed to come nearer to us on each side and to frown down upon us; we were entering on the Borgo Pass. One by one several of the passengers offered me gifts, which they pressed upon me with an earnestness which would take no denial; these were certainly of an odd and varied kind, but each was given in simple good faith, with a kindly word, and a blessing, and that strange mixture of fear-meaning movements which I had seen outside the hotel at Bistritz-the sign of the cross and the guard against the evil eye. Then, as we flew along, the driver leaned forward, and on each side the passengers, craning over the edge of the coach, peered eagerly into the darkness. It was evident that something very exciting was either happening or expected, but though I asked each passenger, no one would give me the slightest explanation. This state of excitement kept on for some little time; and at last we saw before us the Pass opening out on the eastern side. There were dark, rolling clouds overhead, and in the air the heavy, oppressive sense of thunder. It seemed as though the mountain range had separated two atmospheres, and that now we had got into the thunderous one. I was now myself looking out for the conveyance which was to take me to the Count. Each moment I expected to see the glare of lamps through the blackness; but all was dark. The only light was the flickering rays of our own lamps, in which the steam from our hard-driven horses rose in a white cloud. We could see now the sandy road lying white before us, but there was on it no sign of a vehicle. The passengers drew back with a sigh of gladness, which seemed to mock my own disappointment. I was already thinking what I had best do, when the driver, looking at his watch, said to the others something which I could hardly hear, it was spoken so quietly and in so low a tone; I thought it was "An hour less than the time." Then turning to me, he said in German worse than my own:-
"There is no carriage here. The Herr is not expected after all. He will now come on to Bukovina, and return to-morrow or the next day; better the next day." Whilst he was speaking the horses began to neigh and snort and plunge wildly, so that the driver had to hold them up. Then, amongst a chorus of screams from the peasants and a universal crossing of themselves, a calèche, with four horses, drove up behind us, overtook us, and drew up beside the coach. I could see from the flash of our lamps, as the rays fell on them, that the horses were coal-black and splendid animals. They were driven by a tall man, with a long brown beard and a great black hat, which seemed to hide his face from us. I could only see the gleam of a pair of very bright eyes, which seemed red in the lamplight, as he turned to us. He said to the driver:-
"You are early to-night, my friend." The man stammered in reply:- "The English Herr was in a hurry," to which the stranger replied:- "That is why, I suppose, you wished him to go on to Bukovina. You cannot deceive me, my friend; I know too much, and my horses are swift." As he spoke he smiled, and the lamplight fell on a hard-looking mouth, with very red lips and sharp-looking teeth, as white as ivory. One of my companions whispered to another the line from Burger's "Lenore":-
"Denn die Todten reiten schnell"- ("For the dead travel fast.") The strange driver evidently heard the words, for he looked up with a gleaming smile. The passenger turned his face away, at the same time putting out his two fingers and crossing himself. "Give me the Herr's luggage," said the driver; and with exceeding alacrity my bags were handed out and put in the calèche. Then I descended from the side of the coach, as the calèche was close alongside, the driver helping me with a hand which caught my arm in a grip of steel; his strength must have been prodigious. Without a word he shook his reins, the horses turned, and we swept into the darkness of the Pass. As I looked back I saw the steam from the horses of the coach by the light of the lamps, and projected against it the figures of my late companions crossing themselves. Then the driver cracked his whip and called to his horses, and off they swept on their way to Bukovina. As they sank into the darkness I felt a strange chill, and a lonely feeling came over me; but a cloak was thrown over my shoulders, and a rug across my knees, and the driver said in excellent German:-
"The night is chill, mein Herr, and my master the Count bade me take all care of you. There is a flask of slivovitz (the plum brandy of the country) underneath the seat, if you should require it." I did not take any, but it was a comfort to know it was there all the same. I felt a little strangely, and not a little frightened. I think had there been any alternative I should have taken it, instead of prosecuting that unknown night journey. The carriage went at a hard pace straight along, then we made a complete turn and went along another straight road. It seemed to me that we were simply going over and over the same ground again; and so I took note of some salient point, and found that this was so. I would have liked to have asked the driver what this all meant, but I really feared to do so, for I thought that, placed as I was, any protest would have had no effect in case there had been an intention to delay. By-and-by, however, as I was curious to know how time was passing, I struck a match, and by its flame looked at my watch; it was within a few minutes of midnight. This gave me a sort of shock, for I suppose the general superstition about midnight was increased by my recent experiences. I waited with a sick feeling of suspense.
Then a dog began to howl somewhere in a farmhouse far down the road-a long, agonised wailing, as if from fear. The sound was taken up by another dog, and then another and another, till, borne on the wind which now sighed softly through the Pass, a wild howling began, which seemed to come from all over the country, as far as the imagination could grasp it through the gloom of the night. At the first howl the horses began to strain and rear, but the driver spoke to them soothingly, and they quieted down, but shivered and sweated as though after a runaway from sudden fright. Then, far off in the distance, from the mountains on each side of us began a louder and a sharper howling-that of wolves-which affected both the horses and myself in the same way-for I was minded to jump from the calèche and run, whilst they reared again and plunged madly, so that the driver had to use all his great strength to keep them from bolting. In a few minutes, however, my own ears got accustomed to the sound, and the horses so far became quiet that the driver was able to descend and to stand before them. He petted and soothed them, and whispered something in their ears, as I have heard of horse-tamers doing, and with extraordinary effect, for under his caresses they became quite manageable again, though they still trembled. The driver again took his seat, and shaking his reins, started off at a great pace. This time, after going to the far side of the Pass, he suddenly turned down a narrow roadway which ran sharply to the right.
Soon we were hemmed in with trees, which in places arched right over the roadway till we passed as through a tunnel; and again great frowning rocks guarded us boldly on either side. Though we were in shelter, we could hear the rising wind, for it moaned and whistled through the rocks, and the branches of the trees crashed together as we swept along. It grew colder and colder still, and fine, powdery snow began to fall, so that soon we and all around us were covered with a white blanket. The keen wind still carried the howling of the dogs, though this grew fainter as we went on our way. The baying of the wolves sounded nearer and nearer, as though they were closing round on us from every side. I grew dreadfully afraid, and the horses shared my fear. The driver, however, was not in the least disturbed; he kept turning his head to left and right, but I could not see anything through the darkness.
Suddenly, away on our left, I saw a faint flickering blue flame. The driver saw it at the same moment; he at once checked the horses, and, jumping to the ground, disappeared into the darkness. I did not know what to do, the less as the howling of the wolves grew closer; but while I wondered the driver suddenly appeared again, and without a word took his seat, and we resumed our journey. I think I must have fallen asleep and kept dreaming of the incident, for it seemed to be repeated endlessly, and now looking back, it is like a sort of awful nightmare. Once the flame appeared so near the road, that even in the darkness around us I could watch the driver's motions. He went rapidly to where the blue flame arose-it must have been very faint, for it did not seem to illumine the place around it at all-and gathering a few stones, formed them into some device. Once there appeared a strange optical effect: when he stood between me and the flame he did not obstruct it, for I could see its ghostly flicker all the same. This startled me, but as the effect was only momentary, I took it that my eyes deceived me straining through the darkness. Then for a time there were no blue flames, and we sped onwards through the gloom, with the howling of the wolves around us, as though they were following in a moving circle.
At last there came a time when the driver went further afield than he had yet gone, and during his absence, the horses began to tremble worse than ever and to snort and scream with fright. I could not see any cause for it, for the howling of the wolves had ceased altogether; but just then the moon, sailing through the black clouds, appeared behind the jagged crest of a beetling, pine-clad rock, and by its light I saw around us a ring of wolves, with white teeth and lolling red tongues, with long, sinewy limbs and shaggy hair. They were a hundred times more terrible in the grim silence which held them than even when they howled. For myself, I felt a sort of paralysis of fear. It is only when a man feels himself face to face with such horrors that he can understand their true import.
All at once the wolves began to howl as though the moonlight had had some peculiar effect on them. The horses jumped about and reared, and looked helplessly round with eyes that rolled in a way painful to see; but the living ring of terror encompassed them on every side; and they had perforce to remain within it. I called to the coachman to come, for it seemed to me that our only chance was to try to break out through the ring and to aid his approach. I shouted and beat the side of the calèche, hoping by the noise to scare the wolves from that side, so as to give him a chance of reaching the trap. How he came there, I know not, but I heard his voice raised in a tone of imperious command, and looking towards the sound, saw him stand in the roadway. As he swept his long arms, as though brushing aside some impalpable obstacle, the wolves fell back and back further still. Just then a heavy cloud passed across the face of the moon, so that we were again in darkness.
When I could see again the driver was climbing into the calèche, and the wolves had disappeared. This was all so strange and uncanny that a dreadful fear came upon me, and I was afraid to speak or move. The time seemed interminable as we swept on our way, now in almost complete darkness, for the rolling clouds obscured the moon. We kept on ascending, with occasional periods of quick descent, but in the main always ascending. Suddenly, I became conscious of the fact that the driver was in the act of pulling up the horses in the courtyard of a vast ruined castle, from whose tall black windows came no ray of light, and whose broken battlements showed a jagged line against the moonlit sky.

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Word Lists:

Carafe : an open-topped glass flask typically used for serving wine or water

Jagged : having rough, sharp points protruding

Polyglot : knowing or using several languages

Smattering : a slight superficial knowledge of a language or subject

Ghostly : of or like a ghost in appearance or sound; eerie and unnatural

Impalpable : unable to be felt by touch

Shorthand : a method of rapid writing by means of abbreviations and symbols, used especially for taking dictation. The major systems of shorthand are those devised in 1837 by Sir Isaac Pitman and in 1888 by John R. Gregg (1867–1948)

Dawdle : waste time; be slow

Drive : operate and control the direction and speed of a motor vehicle

Serpentine : of or like a serpent or snake

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Additional Information:

Rating: C Words in the Passage: 5802 Unique Words: 1,460 Sentences: 234
Noun: 1348 Conjunction: 559 Adverb: 397 Interjection: 15
Adjective: 453 Pronoun: 608 Verb: 977 Preposition: 752
Letter Count: 23,985 Sentiment: Positive / Positive / Positive Tone: Neutral Difficult Words: 885
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